CM - COFFEE GRAPHIC & LOGO BUNDLE 1661083
More than 35 different graphics, and illustrations and logo templates. Perfect for logo making, packaging, labeling... You can use it in unlimited number for personal and commercial use for the same price as the standard license. The files in EPS vector so don't worry about the size or color or anything just one click and you can change it! Compatible with all the generally known vector editor programs. You can adjust anything on the graphics or logo templates, you can make your own variation and so on.
There is a hidden four digit number in one of the graphics. If you find it just send it to us in a message on Creative Market account or in e-mail, and we are going to give you a valuable graphic via DropBox, which you can use for commercial and personal purposes both! Warning! The numbers are really well hidden:)
• 10 line art element
• 10 quality logo templates
• 2 100% handmade "coffee" sign
• 11 hand drawn graphic
• 4 brown retro elements
CM - Sea of Dandelions (Part 1) 1641257
This is part 1 of 8 from my coloring book "I Fell Asleep In The Sea of Dandelion" I divided it into parts so you can download your favorite part and keep the price affordable ;) And don't just use it as coloring page. Use it as fuel for your creative creations!
What's in the pack:
• 8 PNG transparent floral graphics (8.3x8.3" / 21x21cm, 300dpi)
• 8 EPS (AI10) floral graphics (8.3x8.3" / 21x21cm)
• 1 bonus cover (PNG and EPS, 8.3x8.3" / 21x21cm, 300dpi)
CM - Airplane Patent 1659751
Retro Vector Airplane Patent - great for creating flyers, posters, illustrations or products. You can use this licence to create your own works. One vector diagram supplied as Illustrator 8.0 eps files, which are compatible with most vector and bitmap applications such as Adobe Illustrator and Photoshop. One png file, 8" x 10 // 20x25 cm.
CM - Vector Distress Graphic Styles 1659370
This set of 8 Graphic Styles will allow you to quickly and easily add a vector distress pattern to text or shapes in Adobe Illustrator. All effects are completely customizable, allowing you the ability to edit the overall effect by editing amount and positioning of the distress. With a few clicks turn the effect into a vectors that can be scaled to any size without losing detail.
Drawn by Berton Hasebe, Produkt is the slab serif companion to Graphik, falling into the tradition of adding slabs to European Grotesk, creating an attractive and functional companion serif typeface. Its serifs are relatively short, particularly in the heaviest weights, so it retains the compact proportions and regular texture that characterize Graphik. The family covers the full range of weights that make Graphik so useful. The light weights are pretty, the middle weights are functional, and the heavy weights have a feeling of authority, all suffused with the appealing geometry seen in Graphik.
Andy Lethbridge had only just completed his graphic design BA at the University of Portsmouth when he was spotted by Jason, who’d seen Andy’s exquisite hand lettering at his degree show and on Instagram. Keen to push the handwritten theme further, having recently launched a digitally-created, chalky script font (FS Sammy), Jason offered Andy a job and the chance to develop a suite of more stylised, truly hand-drawn fonts. Andy duly got out his pads, pencils and pens, and started experimenting with styles and textures. Magic followed.
In 2008, Fontsmith were approached by their friend, Jon Scott, to investigate whether a typeface could assume the aesthetic of one artist’s body of work. Jon’s not-for-profit charity, Measure, was organising an event for the artist, Conrad Shawcross, whose giant mechanical installation, entitled Chord, was going on public display in the long-disused Kingsway tram tunnel in Holborn. Chord explores the way we perceive time, as either a line or a cycle. Two enormous machines with dozens of rotating arms and moving in opposite directions, weave rope with almost infinite slowness.
Geometric, economical, functional... The good, wholesome, modernist values that once fired up the tutors and students of the Bauhaus became the inspiration for FS Dillon after an exploration of the work of the pre-war art and design powerhouse in the Fontsmith studio. The font combines simplicity and directness with a characteristic Fontsmith warmth. Letterforms are compact, with a generous x-height, and built for maximum clarity and impact. The Bauhaus sought beauty through function. FS Dillon achieves it.
Ford’s Folly is a lively yet sophisticated handwriting font designed by Ascender’s Jim Ford. It captures the look and spirit of the designer’s handwriting using a using a Sharpie™ Extra Fine felt pen. This casual script font evokes an energetic feeling, and has very legible letterforms without quirky distractions. Jim Ford took his hand global by creating a massive multilingual character set. The font features the WGL Pan-European character set (Eastern Europe, Cyrillic, Greek and Turkish) and advanced typographic features for use with OpenType-savvy applications. The font is a fun and attractive handwriting font that is great for greeting cards, menus, advertisements, scrapbooking and many other projects that can benefit a personal appearance.