Drawn by Berton Hasebe, Produkt is the slab serif companion to Graphik, falling into the tradition of adding slabs to European Grotesk, creating an attractive and functional companion serif typeface. Its serifs are relatively short, particularly in the heaviest weights, so it retains the compact proportions and regular texture that characterize Graphik. The family covers the full range of weights that make Graphik so useful. The light weights are pretty, the middle weights are functional, and the heavy weights have a feeling of authority, all suffused with the appealing geometry seen in Graphik.
Andy Lethbridge had only just completed his graphic design BA at the University of Portsmouth when he was spotted by Jason, who’d seen Andy’s exquisite hand lettering at his degree show and on Instagram. Keen to push the handwritten theme further, having recently launched a digitally-created, chalky script font (FS Sammy), Jason offered Andy a job and the chance to develop a suite of more stylised, truly hand-drawn fonts. Andy duly got out his pads, pencils and pens, and started experimenting with styles and textures. Magic followed.
In 2008, Fontsmith were approached by their friend, Jon Scott, to investigate whether a typeface could assume the aesthetic of one artist’s body of work. Jon’s not-for-profit charity, Measure, was organising an event for the artist, Conrad Shawcross, whose giant mechanical installation, entitled Chord, was going on public display in the long-disused Kingsway tram tunnel in Holborn. Chord explores the way we perceive time, as either a line or a cycle. Two enormous machines with dozens of rotating arms and moving in opposite directions, weave rope with almost infinite slowness.
Geometric, economical, functional... The good, wholesome, modernist values that once fired up the tutors and students of the Bauhaus became the inspiration for FS Dillon after an exploration of the work of the pre-war art and design powerhouse in the Fontsmith studio. The font combines simplicity and directness with a characteristic Fontsmith warmth. Letterforms are compact, with a generous x-height, and built for maximum clarity and impact. The Bauhaus sought beauty through function. FS Dillon achieves it.
Ford’s Folly is a lively yet sophisticated handwriting font designed by Ascender’s Jim Ford. It captures the look and spirit of the designer’s handwriting using a using a Sharpie™ Extra Fine felt pen. This casual script font evokes an energetic feeling, and has very legible letterforms without quirky distractions. Jim Ford took his hand global by creating a massive multilingual character set. The font features the WGL Pan-European character set (Eastern Europe, Cyrillic, Greek and Turkish) and advanced typographic features for use with OpenType-savvy applications. The font is a fun and attractive handwriting font that is great for greeting cards, menus, advertisements, scrapbooking and many other projects that can benefit a personal appearance.
- 20 Vintage Badges Photography VOL.02 with LAYERED
- more 40 vector stock photography / er tools
- AI, EPS, PSD format
- Only free fonts were used. (font only sample on badges/logo, if you have fav.font , you can change)
Say hi to Defocus font family. My personal favorite in this season. Font family consisting of three different fonts (different designs with different rough textures) as well as Mix Font with random mixture of all the letters of all three designs that gives crazzzziness to your quotes and designs. All three fonts are perfect for using with different colors for headlines, short bold texts, logotypes, quotes in blogs, tangible goods (prints on textile, mugs, and so much more).
Unique retro or vintage style custom serif font with 6 styles: regular and grunge, inline and inline grunge, bold inline and bold inline grunge.